Saturday, October 31, 2009

Halloween Hardcore Show!

This Halloween Evening my band Disowned played at the Boing! Collective, which is a local anarchist squat and community center focusing on impact free living. We played with a bunch of other local hardcore bands - Active Agressor, Ritual Fuck, Olivia Neutron Bomb, and Drugshit - along with two touring bands from the East Coast - Product of Waste and Bear Trap. I think out of all of the bands we were the only one not classified as 'Straightedge Hardcore' - which is most likely because I am the only one in the band not a vegan, straightedger, or combination of the two. Go drug use and drinking! (That's why I have a shit eating grin on my face.)


Our band from left to right - Choi, Chris, Michael, and Owen. Not pictured, Chuck.


Pictured, Chuck.



This is me shredding on the bass, looking professional and serious. I went as a crust punk for Halloween, which consisted of not showering or brushing my teeth for a couple of days, not washing my clothes, having badly done facial tattoos, and the obligatory Nausea patch on a hat - because all crusties love Nausea - with a bullet and rope belts. All of this was strictly a DIY found item and poorly done affair, making it extra crusty.



From left to right, Maia, Owen, and Choi - who went as a woman for Halloween. The entire show people were like, "Who is that cute asian girl? It's good to see more women coming to hardcore shows." People kept trying to talk him up only to realize it was Choi.



This is Active Agressor, fronted by the only female in the room. They kicked a lot of ass and had a really good set. Michael (our drummer) played bass for them in total drag, and to his credit, did a floor slide in heels and fishnets.



Cross-dressing was a popular costume, and people kept trying to talk up Michael only to realize it was a 6'3" white guy and not some random tranny who came to the show.



Product of Waste was somewhere between Rage Against the Machine style vocals with lots of rapping and break downs, with Napalm Death speed and dissonance. The vocalist and I had an interesting talk about Eastcoast vs. Westcoast lifestyles after the set, and as intelligent as he was, he had a hilarious Rhode Island accent that I couldn't get past.



Bear Trap's set was quite an experience - lots of nudity, vulgarity, and violence. The lead singer was nude most of the show and was dry humping everything.



The room was crammed full of sweaty people who hadn't showered in weeks, and it smelled like a dumpster crammed full of butts left out in the sun.



A lot of people got socked in the face, their toes busted, and kicked in the testicles. I had sequestered myself on a sturdy shelf high above the chaos, but it was quite intense and a lot of fun to watch.


Saturday, October 24, 2009

How Research Relates to My Drawing

With a little bit more time on my hands I have had the opportunity to both draw more and focus in on my research. First - a redux of what I do research wise.

I work with Alberto Bosque, a post-doctorate fellow from Spain who is over here on commission of the Spanish Departmente of Health, who Vicente Planelles (the PI of the lab and also Spanish) personally wanted to work with because he is a brilliant and laid back dude.


One cool cat.

Alberto is researching the latency pathways in the HIV life cycle. To explain what we are doing requires a little background. The HIV virus (shown below) binds to the T cells (and more specifically the CD4+ memory cells) in your immune system. Because the outer layer glycoproteins so closely resemble those of your own cells, they are not destroyed and will bind to the membrane of the host cell. They then inject the viral capsid into the cell, which degrades. There is now some free RNA floating in the cell with a reverse transcriptase attached (more on that guy in a second.) Since cells have all kinds of RNA floating around it doesn't concern itself with where the RNA came from, because free RNA is free RNA.



So the reverse transcriptase tells the cell "Hey you know where I go? In the nucleus! And while I'm there you should integrate me into your genome!" The cell, being stupid (or blissfully ignorant depending on how you look at it) says "Dur yeah let's do that." and you now have the coding regions for HIV in this cell.



HIV has a small genome, only encoding for 19 different proteins (any cell in your body codes for about 40-400 different proteins depending on the cell). Like most viruses it hijacks the host cell machinery to make copies of itself. On a related note, the other half of the lab is doing research on the Vpr coding region and it's function on expression and regulation of viral production - which is hotly debated.

So, say you have some HIV in your cells and don't want it going into full blown AIDS - currently your two options are 1) seek out the Ancient Chalice of Zhara'Gruum or 2) go on a system of Highly Active Anti-Retoviral Treatments (HAART) which are extremely time consuming and costly. What these treatments do is block the expression of the integrated HIV genes, preventing them from reproducing and infecting more cells. This is called the 'latent' phase of HIV - meaning that it is present and has the capability for reproducing but NOT expressing any of the genes for coding of the proteins.

The catch however, is that once you stop taking the HAART medications, the virus reactivates and starts coding again. Even if you took the drugs for years and years and waited for the turnover of infected cells to be replaced by non-infected cells there is still a chance that one of the billions of cells in your body has the HIV genome inside of it, and as any zombie aficionado knows, it only takes one to start a new infection.

We know exactly how to drive the viral genes into latency, but how it comes out of latency is a whole different matter entirely - they use different signaling pathways. That's where my work with Alberto comes in - I am currently designing lines of cells with a particular genomic makeup to uptake parts of the HIV genome, then mess with the signaling pathways to single out different molecules that are both necessary AND sufficient (this phrase is branded into every cellular biologist's flesh) for coming out of latency.

Basically what I have been doing for the last 3 months is doing a series of mutations in a plasmid (circular ring of DNA) called pMACS-Kk which is in an E. Coli organism. So far I have introduced 3 different restriction sites into the plasmid, effectively making it pMACS-Kk-NcoI-XhoI-NotI. This is important because the spacing of these restriction sites along the plasmid will determine how the HIV genome is integrated and how I can target my signaling proteins. I am on the last step of confirming I have the mutations I want, at which point I can begin to introduce the HIV coding regions I want.


Aww they're so cute and fuzzy!

What the hell does this have to do with art and life?

Everything I do in the lab is focused on my two favorite buzz words: process and magnitude. The research I am doing is very focused on process - perfecting the processes I carry out in the lab and a search to understand the processes happening at a cellular/molecular level. The magnitudes involved are on the order of 10^-8 (messing around with different base pairs) to 10^6 (the amount of cells I can fit in a single millilitre of media). Research shows me how process occurs in different magnitudes and the interrelations involved.

My art is likewise affected - I see processes in the microscope that make me pause and think 'that is beautiful' and as I draw what I saw begins to appear - bubbling out of the primordial doodles. The rough wrinkles of the lipid membrane budding with HIV virons - a tentacled lymphocyte attached - could be an octopus clinging onto a coral reef or nebulae rich with stars obscured by interstellar dust clouds. The forms I see under the microscope mirror as the ones I see through a telescope. It's all a question of magnitude.



With that in mind here's what I have been drawing that is influenced by my research.



I drew this after a week of learning how to split and culture two very difficult but important types of cells - HeLa (pronounced like Gila) and 293 FTR. I was using a very high precision light microscope and could see huge clusters of cells (the cells get attached to a foci and like to clump together - it's a real pain in the ass.)



My side notes said I was really frustrated (with research or art?) but looking back i really enjoyed this. The big sphere in the middle looks similar to binary star systems or the nucleus surrounded by the endoplasmic reticulum.



I spend a lot of time looking at diagrams of cell surface proteins, and they always look very boring and static. You can see one above in the HIV viron, little green balls on sticks protruding from a purple circle. Boring. I always think of the cellular envelope as this ocean of flowing protein, with receptors and surface proteins as buoys bobbing around.




I look at this and see a cocoon. Cocoons have nothing to do with my research.



And this is a drawing of one of my rats, Bjorngaard, and DNA Helicase 'unzipping' some DNA. Then I just doodled.





Sunday, October 11, 2009

Evolution Pictures

Between school and lab work I have been quite busy, but I have also been working on a project for my good friend Eric Ulbrich. He has just started a company called Evolution Pictures and wanted me to design the logo - his basic parameters were 'similar to the Evolution of Man but with every step they should have a different camera. Kind of like the anatomical drawings you used to do in high school.' I had a pretty free range to work with. Unfortunately I haven't done figure drawing and worked with the classical form since my senior year of high school, and technical drawing has always been difficult for me.

I was given a series of camera models throughout the ages by Eric. I had no idea where to start with the techincal drawing of the cameras, so I just started playing around with them. Lots of re-learning to draw straight freehand lines, but it devolved into play time as usual. This guy was my favorite - the psychedelic aspect behind him has a space whale. Little known fact: space whales release nebulae out of their blowholes.




Finished Product 1



Finished Product 2



Closeup of Last 3 Evolutionary Steps


Homo sapiens before he got shading and finishing touches. I really liked how he came out.

I had a lot of difficulty with drawing the earlier evolutionary steps, most of the reference art I had available was rough at best, so I took a few liberties. As the progression neared modern humans, I had an easier time drawing, and all those years of figure drawing paid off in drawing Homo Sapiens. I had a lot of fun drawing this for Eric, and learned a lot about evolutionary anthropology, which while really interesting, is probably very very boring to research in real life. Unless you like digging around meticulously in the hot sun for long periods of time. I think it is cool how more and more mitochondrial genetics is being used to trace special lineages - maybe becuase I am just a big genetics nerd.

Anyhow, with midterms done with and Fall Break this week I will have more time to draw and write.